วันพุธที่ 25 มกราคม พ.ศ. 2555

WOLFGANG AMADEUS MOZART 2


Mozart Works - Kochel’s Catalog of Mozart Compositions
The Kochel’s catalog of Mozart Works is a comprehensive list of all Mozart's compositions that are assigned numbers according to Kochel numbering system. It gives information about the name of the musical pieces and the place where it was staged. He had composed around 600 pieces including 21 stage and opera pieces that span across different genres. A few of Mozart works have been discovered posthumously which include two pieces in a French library that were identified as Mozart’s in 2009.
Death of Mozart, a Musical Genius
In September, 1791, Mozart fell ill soon after he finished conducting the premiere of the Magic Flute. He became severely ill by November and suffered pain, vomiting and swelling.  Mozart was nursed by his wife Constanze and her sister, until his death on December 5, 1791. The cause of the death of Mozart was not clear, and it is believed by most experts that it was the result of rheumatic fever.Photo source: flickr.com /santarosa



วันอังคารที่ 24 มกราคม พ.ศ. 2555

WOLFGANG AMADEUS MOZART 1


Wolfgang Amadeus Mozart, a child prodigy in music, is the creator of more than 600 works, many of which have been recognized as outstanding examples of Classical music. His music had a great influence on another musical genius, Beethoven.
Mozart Biography - Life of a Music Maestro 
Mozart was born in Salzburg on January 27, 1756 in Salzburg. He learnt music from his father, Leopold, who was a minor composer himself. At the age of three, Mozart took a great interest in listening to his sister, Nannerl, while she took piano lessons. When Mozart composed his own music composition and wished to learn more, Leopold dedicated his time to coach him in playing keyboard and violin. Together, Mozart and his sister were taken to different European countries, while they played in concerts and were recognized as child prodigies. This was a wonderful opportunity for young Mozart to meet other musicians and learn from others. In 1773, Mozart was employed as a court musician in Salzburg but Mozart was not entirely satisfied - apart from the pay being low, he did not get many opportunities to compose operas. This led him to quit his job and look for another. This was a period of financial difficulty and mounting debts.After moving to Vienna, Mozart got more recognition as composer and his career went well. He composed many notable pieces of music and earned the praises of contemporary musicians of his time. But at around the year 1786, his career once again faced a challenge. It was the time when Austria was at war, and the people who had earlier supported musicians could not afford to do it anymore. Much of what we know about this influential musician came from Mozart’s Biography written by biographers like Schlichtegroll, Niemetschek and Nissen, who collected information from his family members and others. Mozart’s biography reveals that he became very productive in his last year before death, and composed significant pieces of music despite his failing health.



MOZART OPERA ROCK - PENSER L'IMPOSSIBLE


Penser L'Impossible

Encore
Nos idées que l'on tord
Étranglées dès l'aurore
Et nos rêves
Que l'on crève
Sans un remord
Toujours
(jours de defaite)
Leurs valeurs qui ont cours
(courber la tête)
les gardiens de leurs tours
(tour d'ivoire)
Indécents
(sans nous voir)
Ils sont
(devenus sourds)
Devenus sourds
Penser l'impossible avant tout
Brûler nos prisons dorées
Oser l'utopie jusqu'au bout
Seuls les fous nous ont fait avancer
Encore
(corps à genoux)
La censure pour des corps
(corde à nos cous)
Nos esprits qu'ils essorent
(sortilèges)
ils nous piègent
(privilèges)
Au nom des
(carnivore)
Carnivore
Penser l'impossible avant tout
Brûler nos prisons dorées
Oser l'utopie jusqu'au bout
Seuls les fous nous ont fait avancer
Ils nous ont promis des jours faciles
Pauvres imbéciles
Ils nous ont permis des vies dociles
Sans douce folie, sans poésie
L'ennui au fil des nuits sans fin
Fit de nous de joyeux pantins
Penser l'impossible avant tout
Brûler nos prisons dorées
Oser l'utopie jusqu'au bout
Seuls les fous nous ont fait avancer
(Avancer)
Tout désirer
Rêves adorés
oser l'utopie jusqu'au bout
(jusqu'au bout)
Seuls les fous nous ont fait avancer


 Thinking the Impossible

Still
Our ideas which they twist
Strangled at dawn
And our dreams
Which they burst
Without remorse

Always
(days of defeat)
Their values which have race
(bow the head)
The guardians of their towers
(ivory towers)
Indecent
(without seeing us)
They are
(deafened)
Deafened

Think of the impossible first of all
Burn our golden prisons
Dare an Utopia until the end
Only the madmen have advanced

Still
(bodies are kneeling down)
The censor for bodies
(rope around our necks)
Our sprits that they squeezing
(sorceries)
they trap us
(privileges)
In the name of
(carnivores)
Carnivores

Think of the impossible first of all
Burn our golden prisons
Dare an Utopia until the end
Only the madmen have advanced

They promised us easy days
poor imbeciles
they allowed us tame lives
Without sweet insanity, without poetry
the trouble in the thread, endless nights
made us the cheerful puppets

Think of the impossible first of all
Burn our golden prisons
Dare an Utopia until the end
Only the madmen have advanced
(advanced)

All desires
Adored dreams
Dare an Utopia until the end
(until the end)
Only the madmen have advanced

วันจันทร์ที่ 23 มกราคม พ.ศ. 2555

MOZART OPERA ROCK - VICTIME DE MA VICTOIRE

Victime De Ma Victoire

Je me croyais l'élu
En volant mon histoire
Mais je me suis perdu pour gagner
A vaincre sans vertu
On triomphe sans gloire
L'honneur vaut mieux que le trophée

(C'est ridicule
Pas de scrupules
Il faut triompher
Si on t'adule
Pas de scrupules
Laisse-toi porter)

Mais le miroir
Fuit mon regard
Pour ne pas voir
Que je suis victime de ma victoire
Oui, je m'avoue vaincu
Par le goût du pouvoir
Parvenu en haut sans m'élever
Je suis prince incongru
D'un talent dérisoire
Me faire aimer des autres sans aimer

(C'est ridicule
Pas de scrupules
Il faut triompher
Si on t'adule
Pas de scrupules
Laisse-toi porter)

Mais le miroir
Fuit mon regard
Pour ne pas voir
Que je suis victime de ma victoire
Victime de ma victoire
Victime de ma victoire
Ma gloire est dérisoire

(C'est ridicule
Pas de scrupules
Il faut triompher
Si on t'adule
Pas de scrupules
Laisse-toi porter)

Mais le miroir
Fuit mon regard
Pour ne pas voir
Que je suis victime de ma victoire
Victime de ma victoire

(C'est ridicule
Pas de scrupules
Il faut triompher)
Pourquoi triompher ?
(Si on t'adule
Pas de scrupules
Laisse-toi porter)

Mais mon orgueil
Porte le deuil
Pour ne plus voir
Que je suis victime de ma victoire
(Victime de ma victoire)
Victime de ma victoire
J'ai perdu pour l'Histoire



Victim of my victory

I believed I was the chosen one
Stealing my story
But I lost myself to win
From winning without virtue
We triumph without glory
Honor is worth more than trophies.
(It's ridiculous
No scruples
We have to triumph
If you're adulated
No scruples
Let yourself be carried)
But the mirror
Avoids my glance
Not to see
That I'm the victim of my victory
Yes, I admit my defeat
By the taste of victory
Gotten high without elevating myself
I'm an incongruous prince
Of laughable talent
Making myself loved without loving back
(It's ridiculous
No scruples
We have to triumph
If you're adulated
No scruples
Let yourself be carried)
But the mirror
Avoids my glance
Not to see
That I'm the victim of my victory
Victim of my victory
My glory is laughable
(It's ridiculous
No scruples
We have to triumph
If you're adulated
No scruples
Let yourself be carried)
But the mirror
Avoids my glance
Not to see
That I'm the victim of my victory
Victim of my victory
(It is ridiculous
No scruples
We have to triumph)
Why triumph?
(If you're adulated
No scruples
Let yourself be carried)
But my pride
Carries the mourning
Not to see
That I'm the victim of my victory
(Victim of my victory)
Victim of my victory
I lost for history

วันอาทิตย์ที่ 22 มกราคม พ.ศ. 2555

MOZART OPERA ROCK - TATOUE MOI


Tatoue Moi

Divine, candide, libertine
Ce soir je viens m’inviter dans ton lit
Laissons dormir les maris
Allons nous aimer
Au nez des braves gens

J’apprendrai ta langue et ton accent pour te
comprendre
Je serai frivole et décadent pour te
surprendre

Tatoue-moi sur tes seins
Fais-le du bout de mes lèvres
Je baiserai tes mains
Je ferai que ça te plaise

Tatoue-moi sur tes murs
Un futur à composer
Je veux graver toutes mes luxures
Sur tes dorures

Sortons bras dessus, bras dessous
Et n’ayons crainte de leur vile
arrogance
(Mais quelle inconvenance !)
Allons chez les bourgeois siffler leur vin
Taquiner leur conscience
(Tu paieras cette offense !)

Que m’importent les rires et les regards sur
mes travers ?
Ils sont ma richesse, mon étendard
Ils sont ma terre

Tatoue-moi sur tes seins
Fais-le du bout de mes lèvres
Je baiserai tes mains
Je ferai que ça te plaise

Tatoue-moi sur tes murs
Un futur à composer
Je veux graver toutes mes luxures
Sur tes dorures
Te tatouer sans mesure
(Sur mesure)

Laisse-toi tomber dans mes bras
Glisse-moi sous tes draps
Dérivons jusqu’à l’outrance
Chantons pour les bienséants
Les délices de l’indécence

Tatoue-moi sur tes seins
Fais-le du bout de mes lèvres
Je baiserai tes mains
Je ferai que ça te plaise

Tatoue-moi sur tes murs
Un futur à composer
Je veux graver toutes mes luxures
Sur tes dorures


Tattoo me

divine, candid, libertine
tonight I come to invite myself in your bed
let the husbands sleep
while we make love
under the kind people's nose
I'll learn your language and your accent to
understand you
I'll be frivolous and decadent for
surprise you
tattoo me on your breasts
make it with tip of my lips
I'll kiss your hands
I'll do whatever pleases you
tattoo me on your walls
a future to compose
I want to engrave all my lust
on your gildings
coming out arm in arm
and haven't fear of their vile
arrogance
(but what an impropriety!)
we go to the bourgeois to whistler their wine
to tease their conscience
(You'll pay this offense!)
what should I care about the laughs and the glances
on my faults
they are my richness, my standard
they are my world
tattoo me on your breasts
make it with tip of my lips
I'll kiss your hands
I'll do whatever pleases you
tattoo me on your walls
to compose a future
I want to engrave all my lust
on your gildings
to tattoo you without measure
( by measure)
let yourself fall into my arms
slide me under your sheets
we derive until the last extremity
we sing for the decorous
the delights of indecency
tattoo me on your breasts
make it with tip of my lips
I'll kiss your hands
I'll do whatever pleases you
tattoo me on your walls
to compose a future
I want to engrave all my lust
on your gildings

GIACOMO GIROLAMO CASNOVA

"I saw that everything in the world that is famous and beautiful, if we rely on the descriptions and drawings of writers and artists, always loses when we go to see it and examine it up close."
 (in History of My Life, 1966-71)


Giacomo Girolamo Casanova was an Italian adventurer, writer and womanizer. Born on April 2, 1725 in Venice, he began a career as a cleric because his guardian, his grandmother, wished it. He studied theology and law in Padua. After he finished his studies, Casanova went to Rome and met Pope Benedict XIV, who learned to value him because of his conviviality. However, a love affair forced Casanova to leave Rome. Casanova returned to Venice and became a petty officer. Even so, blasphemous statements and amorous adventures with two nuns gave him a sentence of five years’ imprisonment in 1755. 
Fifteen months later came Casanova’s legendary escape from the lead chambers in Venice. Forced into exile, Casanova led from now on an even more nomadic, varied life that would give him material for his stories. He gave himself the title "Chevalier de Seingalt" and became a beloved guest and companion at the most elegant courts in Europe. The metropolises Paris, Rome, Madrid, Berlin and St. Petersburg were Casanova’s stopping points, among others, after 1757. He also met famous contemporaries such as Voltaire, Louis XV, Friedrich the Great, Catherine the Great and Pope Clement XIII. Gambling debts and erotic intrigues however forced Casanova to constantly and quickly change his location.Casanova’s relationship to the city of his birth, Venice, remained strained. After he was permitted to return in 1772, he found employment first as a theater director and a Venetian secret agent. However, tensions with the censorship board caused Casanova’s permanent departure from Venice. 
In 1785, Casanova finally settled down. As librarian for the Bohemian Count Waldstein, Casanova was able to devote himself above all to writing down the story of his eventful life at Castle Duchcov, beginning in 1790. His memoirs became a classic of erotic literature. 
Giacomo Girolamo Casanova died in Duchcov on June 4, 1798.












วันพุธที่ 18 มกราคม พ.ศ. 2555

THE RESIDENCES OF THE ROYAL HOUSE OF SAVOY


The Royal House of Savoy was the old Bishops palace in Turin; this royal was the reign of Emmanuel Philibert, duke of Savoy (1528-1580), but the old palace in Turin was abandoned and had been the residence of the French Viceroys who were appointed by Francis I of France in 1536. The old palace became the seat of power, and greatly expended by Emmanuel Philibert. His house had many collections of all art, animals, marbles and furniture. When he died in August 1580, the Savoyard throne was handed on to his son who name was Charles Emmanuel I, Duke of Savoy (1562-1630).

A traveler wrote about the House of Savoy in 1765: the furniture matches the beauty of the apartment; one notice there, among other things, candle holders whose reflectors are mirrors set in solid silver frames worked with much taste.

In 1946, the Italian Republic claimed the palace for making the museum of life and works of the House of Savoy. Anyway, this palace was the complex buildings and representative of European monumental architecture in the 17th to 18th centuries by using style, dimensions, and space.